Nomin Zezegmaa

Her theory and practice investigate and interweave histories and matter in relation to deep time and other-than-human realms drawing from Mongol cosmogony. She operates as a mediator between states of being by exploring the innate and inter-connected nature, reality and soul of matter through a shamanic gaze. This finds expression through sculpture, painting, drawing, calligraphy, land art and site-specific installations which invoke an intangible bodily cognition. Through the dynamics of tactility, form and movement, visual as well as conceptual spheres are created and layered.

The interrelation of the microcosm and macrocosm are inherent indicators of the investigative processes, wherein semiotics, alchemy, environmentalism, the Chthulucene, language and writing intersect and inform each other. The deep-seated undercurrent of her work is concerned with what other ways of worlding can be rendered possible for tellurian multispecies coexistence.